5 years of love for music, 5 years of hard work, 5 years of experiences. to celebrate the 5th anniversary, memoria will release a various artist with four artists with whom we have worked from the start. the tracks were not available on vinyl anymore…. until now! limited copies available, no repress.

back in 2011, chicago s beau wanzer reshaped the angry body-music of the now-defunct houston duo //tense// with an 8 minute claustrophobic tr-909 workout. the track never saw the light of day on vinyl... until now. imagine wax-trax era sounds fused with wanzer s notorious grit. guaranteed to pummel.

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue

der klang records is a disordine sub-label. this album will be available in a couple of months.vinyl only - limited to 200 copies on black vinyl and 75 numbered red vinyl. active on late 70s / early 80s teknospray were formed by andrea costa, mauro tavella (who later formed monuments), andrea lesmo, alberto ramella (who later formed carmody) and lucio lesmo they recorded few demos and an album which they never released until today as *god in land* is now reissued on disordines sub label der klang for the 1st time.

borrowed music return to wax see s a release that very nearly didn t see the light of day. between the years of 1995-99, toka project were writing tracks at diy s studio and releasing ep s with their label, s4g. these tracks were stored on dat tape (remember) and left for release at a later date. when the toka boys moved into their own place the dats were misplaced and presumed lost for good. unknown to anyone at the time, the tracks had simply been placed on a hard drive and forgotten about, until now. so, borrowed is very proud to present a slice of unreleased 90s house just the way we like it

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

after a first collaboration with play label records last fall for a remix on boss axis’ ep, dka joins the label-team for a four-track ep, pamplemousse bleu. oscillating between deep house and tech house, dka delivers three equally excellent original tracks. from the hypnotic “sum” until mysterious almost techno “landing at night”, he immerses the listeners in his universe and his world. the ep closes on the exon bacon’s remix that embarks us in a deep techno mood.

this compilation comes on four lp s with a total of sixteen tracks. more than twenty artists in the electronic music scene surrounding the neustadtmusik label participated on this project. new artist collaborations were formed, knowledge exchanged and experiments tried. these sixteen tracks are as diverse and interesting as they are to us a valuable outcome of the project. from chillout to rather straight techno, there is a wide variety of electronic music styles represented on the lp s. hence it is worth to take a listen to that compilation for all lovers of electronic music.

the second release on kitjen is yet another dance maxi that is destined to not leave your bag for a long time . the a-side features ondulè a track by our friends tambien from munich. its irresistable groove stretches over 8 minutes, supported by twirling percussions and flickering synth sounds - a piano chord drops every now and then to keep you grounded. until finally, the ends elf-like scats take you away for good. flip sides to find kornèl kovàcs work his remix magic. hear a stripped down version of the original that builds slowly to develop an epic drive with dark melancholic chords and thriving baseline, guaranteed to get some hands in the air at clubs and festivals around the globe. kitjen hopes you enjoy this summer gift

rrose returns to eaux with three new spellbinding techno tracks. *levitate* starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while *vellum* is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. on side b, *signs* takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible.

we are proud to present our second release: a split ep between coldgeist & côme, mastered at dubplates. on the side a we have ‘nocturnal’ and its spatial atmosphere from côme, including a remix from in aeternam vale. the minimalism of the original track and the subtle evolution of the bells evoke a wandering through the abyss of a cold night until the final take off. a perfect opening act for this ep. in aeternam vale s remix sounds astonishingly powerful, cold and caustic with its uncompromising minimalism, but also provocative and capable to smash your ass on the dance-floor. on the flipside, ‘nommos’ original track from coldgeist and the remix from alexey volkov bring the power of industrial tones. coldgeist delivers a 7 minutes track which penetrates progressively into our intimacy. the deep atmosphere reinforced by the repetition of ternary patterns allow to approach a mesmeric state.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

this is the 2nd volume of the soul and groove selection, an original, unprecedented, soul/funk music. .
a few years ago the world discovered a unique sound coming from the distant ethiopian capital addis abeba. the emotional blow was only matched by the brightness of this original and magnificent discovery. the ethiopiques series directed by francis falcetto and edited by buda musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. this new ethiopian urban modern music release follows the first soul & groove installment and keeps revealing some essential parts of the modern ethiopian puzzle. an unequalled soul funk signature until today.

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

moon harbour is proud to announce the imminent arrival of a new artist album from one of its core members. sven tasnadi s 12 track long player all in will be released in spring 2015 and is a second full length statement from one of the scene s most consistently on form producers.

13 album tracks including an exclusive bonus cut, pressed on three 180-gram heavyweight vinyl records, housed in a bespoke clear sleeve, screen printed artwork by trevor jackson.

welcome to the dark side. where chaos is the constant, distortion forms the standard and frontiers are built out of opaque shadows. mumbling voices are hunting you through a maze of creepy synthesizer sounds. welcome to antifuse. with their latest release, the berlin-based duo nerkkirn are following their path of experimental techno sounds, this time leading into dark shades of whirring electronic sounds. by creating a gloomy, yet groovy tune, antifuse builds up a perfectly conductive path within the unique sound system of snork enterprises. like a mysterious rollercoaster, four versatile tracks are pulling you into a vague ride through various spheres of electronic sounds. starting off with high speed into the deep and gloomy mines of underground techno, dipode unfolds its dark side in full blast. moving forward, antifuse chases you upside down on a roaring bass line merging into electronichangover. there, in a reduced atmosphere of sound, subtle tunes still forcefully keep pushing you through an odd darkness until everything, then, flows into a slight glow at the end of the tunnel - reversebias.

the slingshots were born in august of 2008 with the idea of recalling and recovering the rhythmic patterns of funk, the warm vocal melodies of soul, the rich instrumental approach of jazz and the energy of rock, from its origins until our times, to offer a danceable rich selection of music and sounds, suitable for everybody, specially those in love with black music. seven men holding many years of experience through a wide and varied musical career form the band.

bleed take the leap from running revolutionary london clubnights, to releasing records, with a fitting debut release from mr bleed himself, casper volte-face clark in the form of a 12inch ep, charlatan

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

nowadays we live in an era of minimally processed products, an age where electronic music is no longer a meticulous and painstaking craft but instead becomes a dish of fast-food, an easy-to-digest and cheap product. luckily, there are still musicians who refuse to enter this business circle and continue exploring, investigating all angles of this clubbing culture. joton has been following this way since the beginning of his career. he has been learning, experimenting, looking for the roots sound, and shaping its complexity until reaching a techno style full of energy and depth.

hut vibez records is a london based vinyl label, with a focus on house and techno. hv002pt1 is designed for the club systems: the second instalment in the hut vibez records series is a rhythmic release, sure to work the crowd. jase is now delving deeper into the analogue world, creating music with a organic sound.through this latest production he delivers two intuitive tracks, which capitalise on the sound vinyl can offer. resonant and complex, these tracks demonstrate jases adept fascination with seeking out new ways to work, bringing a satisfying and exploratory sound to the techno realm.

these signature lockertmatik sound sculptures defiber in their own space and time until their structure is most fragile only to collapse immediately in an uniform endeavor to push, abound in energy forward looking only. for these inexorable dark techno tracks stagnation is not an option.

dance like nobody s watching is the name of luvdancin s 5th release and also the motto of the label. 4 strong house tracks from 4 different artists, each of them with their own sound, but with one main goal in common: keeping your feet moving until the early hours. vinyl only as usual!.

following the success of the first three releases, polish imprint transatlantyk is back with more playful dance floor jams. this brand new offering showcases the unusual production talent of a well known polish hip-hop beatmaker lukasz maszczynski who until now was best known for serving fat beats for best underground rappers under his kixnare alias, under which he also released 3 solo albums on the polish u know me imprint. his new alter ego - universo - is dedicated to deep and raw house-oriented music, leaving soft, r&b infused electronic jams and raw sample-heavy beats behind. the ep opener amazones fuses rolling bass and synths with heavy drums and mind enhancing soundscapes, creating beautiful late night jam. chrome takes its sounds and inspirations out of chicago house playbook and works them to great effect. yebo is the perfect peak-time banger. its rolling, irresistible groove and chords are reminiscent of motor city drum ensemble s finest moments. fat, fresh and funky! closing the ep is sus , a deep ambient track with liquid-like synths pouring bits of melancholy on top of delicate drums. all four tracks have been road-tested by the transatantyk family and will be the source of endless fun for you and the dancers on the floor. ahoj!

atjazz on local talk! pretty good combo right? well, just wait until you hear fox tooth and we re quite sure you ll agree with us that this is something above normal rank. martin iveson aka atjazz gave us a release that will work just as well on big sound systems as well as in those dark house basements. the original version is an electronic house jam that s equipped with all necessary tools in order to peak in the main room but without all the played out tech-house schemes. it s uplifting yet dark and carves a very personal groove - yum ! oh, don t miss the killer break down...big! the second version comes in the form of his inspired atjazz galaxy aart dub and this to be fair is more of a remix than a dub. here we step straight down to the darkness for a warming deep house cut that sounds like something from the prescription archives but still retaining the trademark atjazz sound. this is simply, sophisticated house music for those who like things real.

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.

in many ways, val maira is the perfect kompakt record, albeit one that kompakt never made. until now

saxophones? panpipes? you gotta be kidding me, you might think… but wait until you actually listend to this great gem! great dj food with an oldschool house feel from the dynamic duo einzelkind & robin scholz under their new project name rhythm factory. straight outta offenbach. tested and approved at robert johnson many many times.

swedish house hero tiger stripes steps to the barnhus with twilight – a high-octane destroyer of clubs loaded with thunderous drums and shadowy yet sweet organ melodies. the dub version strips the track right down while adding some extra crash ‘n boom before studio barnhus comrade hnny closes things out with a slow-swingin spook story recorded straight to cassette. vinyl only until further notice.

what can be said about kerri chandler that hasn t already been said? the man is one of the greats of contemporary house music, a true legend & one of the most hard working & consistent producers out there today. trionisphere, his (second) lp from 2003 has it all, those gritty drums, the deep garage groove, the church feeling that influences so much of his sound & those bass-lines that he s renowned for are all here, not forgetting the outstanding vocal performances from his long-time collaborator dee dee brave amongst a cast of other guests. the sounds on the lp are wide ranging, from the uplifting latin swing of ye yo ma (mother) to the sparse, pacey, heads down house of it s you we re treated to a glimpse into mr.chandler s sound world across 2x12inchs & we all know that can only be a good thing! trionisphere has always been a fond favourite with house aficionados around the world & hasn t been available for a little while.until now! fully re-mastered, re-pressed & re-released in conjunction with king street sounds, nyc & made available again for 2015 in it s original format with the permission & participation of all rights holders. now s your chance to own a piece of ny/nj house history!

you would be forgiven for not knowing the newest addition to the slowly expanding claremont 56 roster. you see, there has been no recorded output from german combo bambi davidson since the release of their largely overlooked minimal post-rock debut album, el faco, in 2000. until now, that is.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd37 broadway kiss showcases the hair-split-contrast in our disco genre. 4 songs so good, they all deserve equal attention, pontchartrain delivers, lifesaver, an immaculate distillation of house and disco fused, buffed and polished. on the inside, osmose has bottled pure disco fire with broadway kiss, a perfect party starter for any warehouse with disco leanings.
flipping to the aa, seasoned jock, derek kaye has reworked holding on and in the process landed it (and a few others!) in greg wilsons top edits of 2014 chart. by now, you must know that we are very fond of a bit of cheese in our whiskey… rulefinn sidesteps the usual elements of la biondas i got your number to focus on the slick guitar, while retaining the vocals until the end for optimal impact.
after listening to this ep, you will feel like you have been kissed all over.

as the popularity of footwork has continued to soar, the range of sounds within the genre has expanded. from the angular, minimal beats of rp boo to the widely admired sound of sadly departed dj rashad, the genre has lovingly seeped into hearts and feet worldwide whilst continuing to innovate. until now most of the focus has been on the male dj/producers, but that is about to change. gary based producer jlin, who some of you might remember for her track *erotic heat* (bangs and works vol.2 – planet mu 2011), or from her moment in the mainstream light providing music for fashion designer rick owens f/w 14 paris runway show, is stepping further into the light with a stunning eleven track debut album *dark energy* showcasing her unique and bold new sound.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

we held back on the big boys until the new year.. but now the lobster theremin logo tees are finally here! that cheeky hand and lobster scribbled by the hand of asquith and now screen-printed on a mighty fine climate-neutral 100% cotton tee in great fits. watch out for hella peeps wearing these down corsica studios, dance tunnel or on the backs of the lt crew on daze s eu tour this spring. only the best rep.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

deep dub techno music - mastered by salz music. with >the tube< the seventh release of the label tiefenrausch awakes – this time out of the hands of biodub. as a reminiscence to the early times of dub, the record comes as 7inch vinyl. in a classical but innovative manner biodub creates a tune between relaxed as well as driving beats and an irresistible deepness. the record presents one track in two different versions. while “the tube” solely bets on the instrumental deepness, “until forever” comes with the voice of ray darwin and disperses a pinch of reggae into the track. the vinyl is decorated with the artwork of alexander ketzer. he created the perfect cover referring to jules verne. 20.000 leagues under the sea – exactly the right slogan for tiefenrausch 007.

adult only shape is back with an intriguing collaboration, between the mysterious frenchie monsieur georget and young parisian talent le loup. a combination of the old skool with the new skool, the sounds are just that. each take a pounding bass and a solid minimal-tech stance and layer their character on top. a1 is scattered with futuristic bleeps and computerised murmurs, interspersed with reminiscing vocals, while a2 is the most raw in nature, with a tough techno feel until the smooth overtones set in and a feeling of euphoria takes over. but some may say b1 is say arguably the standout track, for its intoxicating vocal and irresistible underlying swing and groove.

mannequin records is proud to present a double lp and cd compilation of one of the most important industrial bands active during the 80s in the uk. bourbonese qualk were an experimental music group from england who where active from 1979 until 2003. throughout this period they had a number of different line-ups but this album concentrates on the period from 1983 until 1987 with the trio of simon crab, julian gilbert and steven tanza. during this time the group released five albums: laughing afternoon, hope, the spike, preparing for power and the self-titled bourbonese qualk on their own recloose organisation and new international records labels.

having spent three years tirelessly growing the la vie en rose label from strength to strength, championing avant-garde house music and helping launch the careers of fresh new talent, label boss terence:terry: now steps forward with a string of his own works. inspired by his blossoming collective and following his recent remix of marcos baiano on lvr015, * acid heroes* ep contains three original terry productions truly for the club.the title track enters in strong punchy form, concocting deep industrial vibes and sinister vocals that echo into the darkness, until, half way through, it takes a more upbeat turn, lifted by reverberating synth chords. * cliché* slaps a little harder with a pounding bass and clashing symbols, before warming up with female wails and woos. a short, sharp taste of chord jabs and the journey builds up to what seems like the climatic futuristic ending, before melting into softer territory and a much welcomed infectious kick, for that last lease of life. rounding off with the murky, splashing number * testing the water*, deep keys and the expert layering of techno effects equals a sublime underground house track, most certain to arouse the dancefloor. * acid heroes* is served as the perfect appetiser to get you salivating before * house couture* , the first compilation from terence:terry: on lvr, mixing producers past and present, as well as a handful of unreleased future-gems to come on the label.

after teaming up with sawlin to deliver a series of spacy texture works, dubbed foreign awake pt.1 & pt.2, subjected returns to electric deluxe this time in searing solo guise. known for his thundering, no-holds-barred basement style, which until foreign awake was kept purely to his cloistered vault series outlet, with dolor we see the industrial edges polished smooth in this rotund and rolling three-track ep.

sometimes it takes a little longer until things happen. talking the conjunctional studio joint of martin landsky and marco resmann entitled lava, now released under their collaborational project landsky & resmann, this single is one that has been overdue for quite a while and for a reason. a reason and shared history that essentially helped to shape and add momentum to marco resmanns career at an early stage a good 13 years ago when he wasnt even known under his real name but used the artistic alias phage dj- and production-wise.